On 15 September 2008, capitalism came to a grinding halt. As sub-prime mortgages and toxic securities continued to dominate the headlines, in spring 2009, London's National Theatre asked David Hare to write an urgent and immediate work that sought to find out what had happened and why. Helping to illustrate his story was G-LEC Phantom 30. A 17m by 3m tall screen flown in and out using four … [Read more...]